Book Reviews:
When Mental Illness Comes and Goes
Life Inside: A Memoir • Overcoming OCD and Schizophrenia With God in
My Life • The Heart Too Long Suppressed: A Chronicle of Mental Illness
by Mindy Lewis; New York, Atria Books, 2002, 357 pages, $24 by Chip
F. Correll; New York, Writers Club Press, 2000, 85 pages, $9.95 softcover
by Carol Hebald; Boston, Northeastern University Press, 2001, 244
pages, $24.95
Jeffrey L. Geller, M.D., M.P.H.
Three first-person accounts, each of which takes a different perspective
on healing and recovery, with a focus on ambivalence toward
psychiatry, are reviewed in this month's column. Does psychiatry
facilitate healing or interfere with it? Does psychiatry contribute
to the improvement of one's life, or to the destruction of
that life? Canand shouldpsychiatry tolerate the
use of alternative healing methods? And finally, is the field
of psychiatry as it was a few decades ago fundamentally different
from what it is today?
In the manner of Susanna Kaysen's Girl, Interrupted (1),
Mindy Lewis' Life Inside is a memoir written at midlife
about a woman's experiences as a psychiatric patient when she
was an adolescent. As is the case with most autobiographies
that attempt to capture thoughts and words of an earlier time
in an individual's life, this account suffers from a mixture
of the adolescent's and the adult's perspective without a distinction
between the two.
Nonetheless, Mindy Lewis, born on March 4, 1952, gives the reader
an interesting presentation of psychiatric care and treatment
at the New York State Psychiatric Institute at Columbia-Presbyterian
Medical Center in the late 1960s. Almost immediately the reader
is confronted with how different psychiatric treatment was back
then; one of the psychiatrists conducting the intake reassures
the patient's mother, "She could be here as little as six months."
Lewis talks not only about herself but also about many of her adolescent
copatients. She remarks that some of her peers had easily observable
disabilities but notes that they were in the minority. "For
most of us, the damage is invisible." There were those with
visible stigmata secondary to high doses of chlorpromazine. "It's
easy to tell who. Their faces are blotted, their skin an unnatural
pink...it dries you out, sucking out all of your life force,
replacing it with a chemical stupor."
Lewis provides an accurate portrayal of life in the New York City
areaat least as I remember itwith her peers in
the 1960s. She attended the High School of Music and Art, commuting
there from Stuyvesant Town. She found places to hang out with
others, where there was always "a smorgasbord of drugs" available,
including amphetamine, meperidine, Seconal, mescaline, and
LSD, which sometimes patients had to pay for and "sometimes [you
get] for free if you're female." After Lewis' various behaviors got
her suspended from high school, she had to go somewhere. That
"where," in that era, turned out to be long-term psychiatric hospitalization.
Lewis has a diverse, yet profound, response to her psychiatric
hospitalization. She objects to many of the staff, whom she
says, "Can't even see me." She refers to them as "thought police."
She explicates staff and patient struggles with a flair that
makes it hard to differentiate, on occasion, between simple
adolescent turmoil and what might have been psychopathology.
Lewis has both praise and condemnation for how she was treated.
Sometimes she makes subtle pokes at psychiatry, such as in titling
a chapter "Inappropriate Behavior." She points out that obtaining
street drugs on the ward is basically as easy as obtaining the
same substances on the street: if you have enough money, you
simply pay an attendant.
Lewis poignantly discusses the ultimate threat at New York State
Psychiatric Institute: the threat of "shipping"that is,
being sent to one of the "regular" state hospitals such as Creedmore,
Rockland, or Manhattan State. These, says Lewis, are "awful
institutions that warehouse chronic cases." The ultimate threat
then, regularly thrown at these adolescent patients by the staff,
was, "If you act out again, we might have to ship you."
By Lewis' portrayal, these adolescent patients are caught in a
spider's web. The patients twist, turn, and gyrate in response to
the sparing stimuli of the staff; they are then caught deeper in
the web, condemned by staff, and sometimes punished. The patients
exist in a dirty environment on a ward that contains 60 people.
However, Lewis points out that within this atmosphere there
is an "odd alliance between staff and patients." Despite the
differences between the two, Lewis says, "the boundaries separating
us are thin."
The adolescents' pervasive fear was that prolonged stays would
lead to deterioration. In one of her more interesting analogies,
Lewis suggests that the "looney bin is like the bins in my mother's
refrigeratorone for fruits, another for vegetables. The
vegetables are pathetic. I'd rather be a fruit than a vegetable.
Fruits are juicier, more interesting. Right now I'm a fruit,
but maybe after I've been here a while, rotting away in this
bin, I'll become a vegetable."
Lewis did get out of the New York State Psychiatric Institute,
albeit via a discharge to Manhattan State Hospital on April
9, 1970, two years and four months after she was admitted. Her
discharge diagnosis was chronic and undifferentiated schizophrenia,
her condition improved. Manhattan State Hospital, says Lewis,
was "a warehouse for lost souls located on an island in the
middle of the East River...the other structures on Ward's Island
house prison wards for the criminally insane. Criminals on one
side; long-term, hopeless cases on the other." The ironic thing
about being shipped, however, was that these state hospitals
didn't keep any patients for very long if they didn't have to;
hence, within a month, Lewis was discharged.
In the second half of the book, Lewis talks about her life after
being discharged from Manhattan State Hospital. She became involved
with the Mental Patients Liberation Project, struggled with
the ways she was "not like other people," sorted out what it
meant to be "crazy" or to have a "mental illness," and moved
on with her life. A particularly interesting aspect of Lewis'
account is her return years after her hospitalization to visit
the places and meet the people that provided her care, treatment,
and confinement years earlier. She also reports on her psychiatric
record. The nature and quality of the interactions between Lewis
and her past teachers and treaters is touching. Lewis portrays
something not often encountered in the practice of psychiatrythe
opportunity to revisit the experience shared by patient and
treater decades after that experience ended.
Life Inside is an engaging memoir that for a few will recall
their professional lives of the 1960s, for others will recall
their own adolescence, and for others will feel like an account
of some historical period. Life Inside is valuable for each
of these cohorts of readers. Like other contemporary memoirs
portraying psychiatric care and treatment from decades earlier,
it is important, particularly for the naive reader, to be conscious
of the distinctions between then and now and to be cognizant
of those aspects of care and treatment that have changed very
little despite all the reported advances that have occurred
over the past four decades.
It is a sad irony that Chip F. Correll, the author of Overcoming
OCD and Schizophrenia With God in My Life, died at home at the
age of 30 from natural causes. In his book, he informs the reader
from a fundamentalist born-again Christian perspective that
God has important plans for him. The book, a memoir published
during Correll's lifetime, says nothing about his death. His
mother sent me a note along with his obituary.
Like many patients in today's world of only the briefest inpatient
hospitalization, Correll spent four days in a public psychiatric
hospital, treated early in his career as a psychiatric patient
with thioridazine and perphenazine. In the last years of his
life, Correll took in various combinations of clozapine, thiothixene,
fluvoxamine, and clomipramine.
Correll writes in a style that is naivesometimes almost childlikerepetitious,
and meandering. Paragraphs are often so loosely constructed
that it is hard to understand how the sentences relate to any
theme. The book has almost as many quotes from scripture as
it does pages. Some chapters seem totally unrelated to Correll's
major messages. Nonetheless, this short book of 85 pages is
worth a quick read, because one rarely encounters men from
the central part of the United States, rooted in a fundamentalist
Christian perspective, who are willing to step forward and
tell the story of their mental illness.
Correll, who had a diagnosis of schizophrenia, graduated from a
junior college and then from the University of South Florida with
a bachelor of arts degree in English. His goals were to be
a writer and to work for a television talk show. His life was
simple and his social circle small. He was active in the National
Alliance for the Mentally Ill.
Correll's story tells us how his faith in God sustained him through
his chronic mental illness and its associated burdens and setbacks.
"Even with my faith in God, I've always idealized what could
be rather than settling for what is. I've always liked to stretch
myself spiritually, academically, and socially, knowing that
God has always been there for me to catch me when I fall."
Correll was not without his share of burdens before his first
psychiatric hospitalization. He was taunted and bullied in
school, his parents divorced when he was ten years old, he was
confused about his heterosexuality, and he was physically degraded
by classmates. Correll never really dealt with these issues
but rather turned them into challenges from God and believed that
if he wanted something badly enough "and prayed, it will happen."
The degree to which these developmental issues relate to Correll's
career as a psychiatric patient are questions the reader might
ask but are certainly not queries that Correll considered. He
was involved in a car accident in the spring of 1995, which
led to "a nervous breakdown." He subsequently received diagnoses
of schizophrenia, depression, and behaviors or traits associated
with obsessive-compulsive disorder. Correll even turns his car
accident into a religious experience, noting that when the bulldozer
plowed into his car a Christian radio station was playing "Angels
Are Watching Over You...God Is With You."
Correll's memoir may well be useful to practitioners who confront
individuals who believe that their entire care and treatment
can be rooted in religion. Although no reader will doubt Correll's
sincere embrace of fundamentalist Christian ideology, Correll
does state in his book that he also needed medication and psychotherapy
to provide vocational opportunities and support.
Fundamentally, Overcoming OCD and Schizophrenia With God in
My Life is about hope. Hope is an all too scarce commodity in
the lives of persons with serious and persistent mental illness.
Some might say that Correll's hope was misplaced. Correll says,
not always directly, that he has hope in science and in religion,
hope in people and in God, hope in himself and in others, and
hope that no matter what the adversity, he can sustain himself
through it. For any person with a lifelong disability, who can
fault a multidimensional, eclectic, ever-present basis for hope?
Carol Hebald's The Heart Too Long Suppressed: A Chronicle of
Mental Illness marches the reader virtually chronologically
through Hebald's life. Before the trip begins, however, the
reader is treated to a foreword by Thomas Szasz, who quotes
the poet W. H. Auden: "Writers can be guilty of every kind of
human conceit but one, the conceit of the social worker: 'We
are here on earth to help others; what on earth the others are
here for, I don't know.'" Szasz opines, "Many are here to recover
from such 'help.' Carol Hebald gives Voice to them and shows
them the Way." I'm not sure I can agree.
In the book's prologue, Hebald recalls the summer of 1978, when
she was on a cruise: "I threw overboard the following medications:
the psychotropic tranquilizers Haldol and Thorazine and the
antidepressants Imipramine Daytime and Tofranil P.M. A psychiatric
patient in and out of hospitals for thirty years, I'd been on
massive doses of medication for twenty. I was forty-four." Hebald
sometimes does and sometimes does not make the argument that
for most of her life psychiatry was a burden and that she succeeded
only when she escaped from it. One way of reading her book is
to see the journey as useless and her "transformation" as resulting
from a release from the power of psychiatry, hospitalizations,
and medications. Another interpretation is that this transformation
resulted from what she had gained along the way through her
experiences with psychiatric treatment. Hebald has trouble making
up her mind. Others, including some who are quoted on the book's
dust jacket, would like to spin this as an antipsychiatry book.
Hebald was born in 1934, and her father died in 1938. Her own history
included incest, promiscuity, suicide attempts, and an abortion.
Her psychiatric history included two admissions to Gracie Square
Hospital in New York City, the first from December 3, 1959,
through February 27, 1960, and the second from November 2,
1962, through April 30, 1963. The second of these hospitalizations
ended when Hebald was transferred to the Payne Whitney Clinic
in New York City, where she spent almost a yearfrom April
30, 1963, to April 1, 1964. Her other psychiatric admissions
in New York City were to Bellevue. Hebald's last psychiatric
admission was to the Allen Memorial Hospital in Waterloo, Iowa,
during the winter of 1972.
In addition to a wide range of psychiatric medications, sometimes
at quite high dosagesnot uncharacteristic of the 1960sHebald
was treated with electroconvulsive therapy (ECT). Between December
9, 1959, and January 8, 1960, she received 15 ECT treatments.
Hebald reports that on the days between treatments she was given
between 100 and 200 milligrams of thorazine every four hours.
Even ECT elicits a mixed response from Hebald. She recognizes
that for much of her life she was trying to escape from what
haunted her, and she cutely says of ECT, "Shock was a blessing,
not a punishment! Why did the others make such a fuss about
losing their memories? When they found their memories, they
lost their minds."
Hebald, who spent part of her life as an actress, recognized her
own acting abilities during her early adolescence. Even then,
she reports, "The harder my life seemed, the more easily I
slipped into another's."
An individual who saw herself as tortured, she sought relief in
"lust." In a description filled with pathos, Hebald talks about
her attempts to get men to wait before having sex with her
to allow her to believe the man cared or to pretend that she
was in love. "But no man would," she indicatedthey quickly
proceeded to screw her, both literally and figuratively. Even
this "mortification felt sweet," says Hebald, because "it kept
me close to my father."
When Hebald "breaks free" she struggles to understand some of her
life history as a psychiatric patient. She wonders, "Weren't my
failed efforts to grow abetted by well-meaning doctors who cultivated
my dependence, reinforced the lie that I couldn't thrive without
them or their pills, which muffled the needs they urged me
to express. And by so activating my feelings, only to shut
them off, didn't they render me unable to connect my distress
to the circumstances that caused it? This they called 'dissociation,'
that 'classic symptom' of schizophrenia, and grew fat on the
profits."
As the book moves quickly forward to the present time, Hebald deals
with being "outed" for her medical history and struggling with
the resultant stigma. In 1984, after 13 years of full-time college-level
teaching, Hebald gave it up to become a full-time writer. In
the end, Hebald says, she needed to get rid of the psychiatric
drugs to be "able to come fully alive." She provides considerable
evidence in her book that if she had not taken the medications
up to that point, she might never have lived to have this epiphany.
The Heart Too Long Suppressed is not an antipsychiatry tome.
It is a fairly mixed-up book about a person who was fairly mixed
up for a good part of her life. That Hebald now has clarity
and ease is to her credit. The fact that she doesn't know how
to fit in the piece that psychiatry played in achieving peace
is all too common. If The Heart Too Long Suppressed educates
the reader about anything, it informs psychiatrists, in particular,
that we need to do a better job of assisting patients in their
journey while simultaneously explaining what we are doing, what
the patient is doing, and what we and the patient are doing
together at each turn in the road.
Footnotes
Dr. Geller is professor of psychiatry and director of public-sector
psychiatry at the University of Massachusetts Medical School
in Worcester.
Reference
- Kaysen S: Girl, Interrupted. New York, Turtle Bay Books,
1993
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